The sequences ranged from complex atmospheric simulations, such as a city windstorm, to precise technical interventions like set extensions, beauty work, and the removal of anachronistic elements—all orchestrated to align with the director’s vision.

One key scene involved creating a windstorm. Using CG and compositing, powerful gusts, debris, paper scraps, leaves and urban objects were thrown into chaotic motion. Subtle details, like wind-blown curtains and swaying poles, were also simulated for an effect that was seamless yet entirely believable.

Another crucial task focused on the sequences set at Stanford University, digitally reconstructed as they were filmed elsewhere. Matte painting and compositing recreated the vegetation and architecture with meticulous precision, crafting a backdrop that integrates perfectly into the narrative context.